After the Trojan Horses examines queerness and ‘othering’ in institutionalised spaces. By photographing elaborate sculptural elements in interchangeable bureaucratic places, the work eschews the banality of these locations and creates an uneasy, chaotic wonder. These interventions play on camp clichés and historical fears of queerness as an invading force corrupting the ‘normal’ world. They interrogate the institution as a heteronormatively coded space and present queerness as a disruptive force subverting that hegemony and replacing it with something new and sparkling.